Mixers and Powermixers


Dynacord - Powermate 600


The integration of mixing console, power amplifier and effects devices in a compact and modern unit reaches a new high with the PowerMate 600.

With 6 Mic/Line as well as two Stereo/Line channels, two mixable 24-bit effects devices, a 7 band master equalizer and integrated 2 x 300 W power amplifier, the PowerMate 600 is the absolute allround solution for a multitude of applications, ideally suited to the needs of both single entertainers and small bands.

For schools, clubs or similar institutions, the PowerMate is the perfect tool for a wide range of sound reinforcement tasks. Safe and easy to carry, fast and simple to set up, intuitive and uncomplicated to operate, the smallest member of the PowerMate family delivers Dynacord quality in a compact, elegant frame.


All the features of a professional mixing console but without the bulk. With six Mic/Line and two Stereo/Line channels, three-band EQ in every channel, separate effects and monitor sends, a 7-band master equalizer and LED level meters in the master as well as every channel, the Power Mate 600 is a joy to use in any situation. There are other convenient features, too, such as a switchable Standby function, which allows you to feed the signal from a tape or MD recorder directly to the amplifiers without disturbing your mixer settings, as well as an additional mono output (with its own level control) to provide sound reinforcement to additional rooms and a headphone socket (also with its own level control).


Despite its compact dimensions, the PowerMate 600 is rated at 2 x 300 watts into 4 ohms and therefore offers large dynamic reserves with exceptionally low distortion and intermodulation values. All the safety features of Dynacord’s 19” amplifiers are on board as well as the patented LPN Filter technology for ultra-powerful bass reproduction and a superfast dynamic audio limiter, whilst the power supply offers the legendary 30% headroom.


Two parallel and individually controlled 24-bit stereo digital effects devices with 48-bit algorithms offer a total of 198 live-optimised presets in studio quality. User-friendly Up/Down keys are used to select between room and plate reverb, echo reverb, mono/stereo delay and a large number of other special effects. Your preferred starting presets can be stored in program mode so as to be instantly available next time you switch on the device. The return signals of both effects devices can be switched singly or jointly into or out of the signal path either at the device or using a footswitch.

Data sheet (580 kB) »


PowerMate 1000 and Dynacord Powermate 1600

The PowerMate has long been regarded as the epitome of a powered mixer, offering uncompromised professional quality in every department: professional components, professional features, professional reliability.

The Powermate range is one of the biggest selling powered mixers. The PowerMate has won numerous awards and comes out on top in countless comparative tests. But aside from its quality, it’s the fact that it matches perfectly the needs of its users that makes the PowerMate the outstanding solution for a wide range of professional sound reinforcement applications.


The discrete microphone preamps of the new PowerMate 1000 and PowerMate 1600 combine outstanding audio quality with extremely low noise and distortion, setting new standards in professional mixing technology. Ergonomically designed gain controls with a range of 60 dB, groupswitchable phantom power, vocal voicing filters, 3-band EQ with semiparametric mids, four aux sends, PFL, Mute, dust-proof ALPS faders, 2 x 7-band graphic EQs, feedback filters and four stereo channels are just some of the other professional features.


The integrated high-efficiency Class H power amplifiers deliver an impressive 2 x 700 watts into 4 ohms and an absolutely safe 2 x 870 watts into 2.66 ohms with comparatively little heat build-up. All the protective circuits with which the Dynacord 19” amplfiers are equipped are present here, including protections against overheating, short-circuits and DC voltage and HF and back EMF protection. The flow of current at power up is limited and there is a short delay before power is switched to the loudspeaker outputs. An LPN filter and a super-fast dynamic audio limiter are further Dynacord-typical features.


Two parallel and individually controlled 24-bit stereo digital effects devices with 48-bit algorithms offer a total of 2 x 99 live-optimised presets in studio quality. User-friendly Up/Down keys are used to select between room reverb, plate reverb, echo reverb, chorus reverb, mono/stereo delay, modulated delay effects (like chorus and flanger) and a large number of other special effects. Your preferred starting presets can be stored in program mode so as to be instantly available next time you switch on the device. The effects returns can be switched into or out of the signal path using either one footswitch for both of the integrated effects devices or a separate footswitch for each.

Data sheet (572 kB) »



Soundcraft EPM12

Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company’s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.

A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.

  • Frame sizes 6+2, 8+2 and 12+2
  • 2 configurable auxiliary buses
  • XLR-type and ¼” metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 2-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs and mix output
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable

Data sheet (500 kB) »



Behringer Xenyx 1202




With close to one million units sold, the UB mixer series has become one of the most popular mixer series of all times that has no doubt connected musicians all over the world. Our new Xenyx mixers will take you to an even higher plane.

The Xenyx 1202 has 12 inputs and a FX Send control for each channel. Additionally, assignable CD/tape inputs have been incorporated for routing flexibility.


  • The new Xenyx Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps.
  • Our neo-classic “British EQ” brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history.


  • Premium ultra low-noise, high headroom analog mixer
  • 4 state-of-the-art Xenyx Mic Preamps comparable to stand-alone boutique preamps
  • Neo-classic "British" 3-band EQs for warm and musical sound
  • 1 post fader FX send per channel for external FX devices
  • Main mix outputs plus separate control room, phones and stereo CD/tape outputs
  • CD/tape inputs assignable to main mix or control room/phones outputs
  • FX to control room function helps to monitor effect signal via headphones and control room outputs
  • Long-wearing 60-mm logarithmic-taper master fader and sealed rotary controls
  • High-quality components and exceptionally rugged construction ensure long life